Artist Statement:
In my artistic practice, I find inspiration in the timeless nature of memories and the transformative power they hold. Memories have no defined timeline; they can transcend generations, blurring the boundaries between personal experiences and the tales passed down through time. My work delves into the depths of these memories, recreating objects and narratives using diverse mediums and materials.
During a workshop with Sian Bowen, we explored Gaston Bachelard's poignant words, "My oldest memories, therefore, are a hundred years old, or perhaps a bit more." This line resonated deeply with me, highlighting the fluidity of memory and how it can transcend time. Memories become personal, regardless of their origins, intertwining with our own experiences and shaping our perceptions of the world.
In my current exploration, I have embarked on a journey to recreate objects and memories connected to the forest. Through labor-intensive and repetitive actions, I wrap tree trunks with delicate tracing paper and newsprint. The fragility of the paper juxtaposed against the rough and sturdy trunks strips away the drawings, transforming them into sculptural forms. This process allows me to establish a direct connection with the forest, blurring the line between the tangible and the abstract.
My works speak to the fragility and resilience of nature, the passage of time, and the interconnectedness of all things. Each piece is imbued with a sense of reverence for the forest and its rich history. By utilizing different materials and techniques, I strive to evoke a sense of awe and contemplation in the viewer, inviting them to reflect on their own relationship with nature and the power of memory.